The Love Show Returns!!!

Alas! The 2018 Love Show is all full, and we can no longer accept any more submissions.

BUT WE STILL NEED YOU!
Are you interested in being one of our fabulous Love Show Volunteers? It takes a LOT of hands to make this show happen, and we’d Love to have you on our team! It’s a great way to meet new people and to be a part of the show.

And, while the walls may be full, we are still accepting submissions for performance/time based artwork so get ready to show your stuff on opening night!

JOIN THE TEAM

 


 

Hello friends of Ford Gallery!

After a six-year break, the Ford Gallery revives “The Love Show,” Portland’s answer to all the pink-themed greeting cards, heart-shaped chocolate boxes and candy hearts that every February brings with it– a place for YOU to make work about Love, and not the couple-focused, heterosexist shiny Valentine’s Day that gets shoved down our collective throats.

The reality is, love is complicated and messy, full of longing and sadness, full of confusion and hope, truth, lies, fakery, glee. Love can break you. So let’s explore love together- make work about loving your pet, lukewarm coffee, those new shoes, your sister, your spouse’s best friend, about not knowing how to love, or loving too much…  it’s up to you, and all work is welcome. Your piece should respond to love, but how it relates needs to be clear only to you. So, make your piece as personal or abstract as you want to.

We are honored to invite the first 200 artists who sign up to make work about Love and to share it with all of us in darkest winter night, and be warmed.

 

With Love,
Sara, Ross, Ben Pink & All of us at Ford Gallery

Tales in the Dog Park

Saturday, March 18th
1 – 3 PM

Join us for this storytelling event about the dogs that have curled up in our hearts and meet some of the artists of the Dog Park show.

The Ford Gallery is hosting an early afternoon gathering of listening and storytelling. We’re inviting you to see the Dog Park show and join us with a story about a dog that wags its tail around your house or in your memories. Stories should be 3 – 5 minutes in length and child friendly. Though an informal event, please try to arrive near the beginning.

UPDATE

Well, the gallery is ready, but the fickle Gods of Winter Weather are not! : ( Due to safety concerns we have decided to cancel tonight’s opening reception for Divided We Stand.

But don’t worry! We will be hosting an Inauguration Day event on the 20th, in collaboration with Ford Food & Drink! With “Not our President: Women Writers Against Trump”, and more live performances & activities by our fantastic artists! So keep an eye out for details soon!

And in the mean time, the show awaits…

Around Corners – New Works by Paul Rutz

Opening January 28, 6-10 pm
With special opening night performances by
Rachel Mann Band and Free Thought Takeover
Show runs Jan 28 – Feb 25

Please donate $10 to help us cover opening night bands.




We have an extraordinary exhibit coming to the Ford Gallery at the end of January by Paul Rutz as well as special opening night performances by Rachel Mann Band and Free Thought Takeover. Below, artist Paul Rutz describes Around Corners and his vision for the opening.

—————–

Around Corners is a maze-like gallery installation that uses the physical heft of paintings to revel in the fact that when we view, we do it moving. Our hearts beat, lungs expand, and our eyes make continuous saccades, seeing not in single points of view, but in paths of attention that add memory and prediction to our sense of an unfolding now. We see with our feet as much as our eyes. How can painting celebrate that?

Since mid-2014, I have been working on several large, highly detailed paintings designed to be hung from the Ford Gallery’s ceiling. Each picture depicts one live model who moved between two poses in the studio—back and forth for months—while I constantly changed my point of view and measured every body part and prop, painting them at exactly life size. I call these canvases documentary motion pictures, and I’ll present them in a way that invites the audience to move, too. We’ll hang the paintings in the middle of the gallery at various angles, using the paintings a bit like shoji, Japanese paper room dividers. To see the full show, viewers will have to move around the paintings’ corners, encountering their material qualities, their heavy wood frames, copper nails and the shadow figures on semi-opaque stretched canvas—a focus on the craftsmanship that makes the image possible.

For the exhibit’s opening, I have invited performing artists Rachel Mann Band and Free Thought Takeover to perform an experiment. On January 28, these two Portland bands will each stage a musical set from inside the installation. The paintings will wall off each performer in his or her own little space, and I look forward to seeing how they choose to play with that problem. In the same way that revealing the backs of the paintings is an invitation to explore craftsmanship itself, I expect breaking up the band spatially might become a powerful way to reveal the band. With choreography and improvisation around and through the installation, Rachel Mann’s dulcet harmonies will set up Free Thought Takeover’s dance-inducing brass funk. To see the performance, the audience will be invited to move around in it, too.

Using the motions people are always doing anyway, we aim to shake up the viewing and listening habits that otherwise go unnoticed on a night out.

— Paul Rutz

 

About the artist

Paul X. Rutz received his Ph.D. in Theory and Cultural Studies from Purdue University in 2011 after writing a dissertation on combat art and the Iraq war. That year Rutz took his portrait painting practice to Portland, OR, where he works with live models to develop life-size oil paintings. His work has been featured on the TV show Portlandia, and recent exhibitions include solo shows at Gay Street Gallery, Washington, VA, and Jupiter Gallery, as well as group shows at Mark Woolley Gallery and the Smithsonian Institution. His series of dual-media portraits of combat veterans, titled Between Here and There, has traveled to galleries in Portland, Vashon Island, WA, and the Oregon Military Museum. Rutz also writes about visual culture, with recent publications in the Huffington Post, On Patrol, Military History Magazine and many others.

www.paulrutz.com

 

About The Performers

Rachel Mann Band

Portland based singer-songwriter brings a special blend of old-time, country and folk.

www.rachelmannmusic.com 

Free Thought Takeover has been taking over Portland since March 2015. This lineup is stacked with professional musicians from across the country (New York, Chicago, Honolulu, Boston, Miami) bringing Portland a unique blend of a dynamic horn section, tight rhythm section, and exciting vocal artists.

Free Thought Takeover has taken over venues such as Holocene, Alhambra Theater, Hawthorne Theater, Kelly’s Olympian, Star Theater, Graffitti Fest, Green Valley Music Fest, and many more.

They’ve been setting up stage with local Portland acts such as Glenn Waco, Elton Crey, Speaker Minds, The Sindicate & Dear Drummer, just to name a few.

Free Thought Takeover isn’t just a band name. The group has made notable efforts to enlighten and donate to causes concerning free speech, human rights, and media censorship. Eighty percent of the world does not have access to free press. All the news they read is altered. Free Thought Takeover wants to change that.

https://www.facebook.com/pg/freethoughttakeover/about/?ref=page_internal

 

Plates: A Documentary Motion Picture
Oil on canvas stretched over recycled church organ pipes 2014 48" x 72"

Playing Cards: A Documentary Motion Picture
Oil on canvas stretched over recycled church organ pipes 2015 48" x 72"

Sheet: A Documentary Motion Picture
Oil on canvas stretched over recycled church organ pipes 2016 48" x 72"

She Castles: A Documentary Motion Picture
Oil on canvas stretched over recycled church organ pipes 2016 48" x 72"

Party Cups: A Documentary Motion Picture
Oil on canvas stretched over recycled church organ pipes 2016 48" x 72"

Two Chairs and a Headstand: A Documentary Motion Picture
Oil on canvas stretched over recycled church organ pipes 2016 48" x 72"

Richard Melloy, “Present In Time”

Before The Pearl was The Pearl, it was a forgotten industrial district and home to many burgeoning Portland artists whose work would help transform that entire section of the city. Richard Melloy is one of those artists. Now calling Foster-Powell his home, Melloy continues to build on his decades-long career as a painter and commercial illustrator.

Join us on August 27 at 6 pm at Ford Gallery for Richard Melloy’s “Present In Time” an exhibit of new works by the artist as well as a collection of his most popular prints.

“Melloy is more than an accomplished painter—he is an inspiration for creative longevity,” PDX Magazine wrote of Melloy. “[He’s] bullheaded enough not to quit and smart enough to adapt throughout a long career.”

See the full article HERE.

And another article on last year’s “The Way I See It” exhibit HERE.

We will hold an artist tour at 7 p.m., and Melloy will join us that evening downstairs at the Mechanical event space for PDX Magazine’s Last Saturday Salon

The show will run from August 27 – September 17.

"My American Gothic" Diptych, Left Side, by Richard Melloy
“My American Gothic” Diptych, Left Side, by Richard Melloy
"My American Gothic" Diptych, Right Side, by Richard Melloy
“My American Gothic” Diptych, Right Side, by Richard Melloy

 

 

"Cherry Blossoms" by Richard Melloy
“Cherry Blossoms” by Richard Melloy

Old Portland: A Jason Brown Retrospective

Jason Brown has dedicated so much of himself to supporting the Portland art scene recently as a gallerist/arts advocate at GoodFoot, Peoples Art of Portland, Po Boy Art, and elsewhere, that newcomers to Portland might not recognize this veteran’s work. To help remedy this, Ford Gallery has collected select works of Brown’s for this retrospective to celebrate the artist who has inspired so many others over the years.

Join us on Saturday, July 16, 2016 at 6 pm for an opening celebration. The show runs through August 13.

the-wolf

Jason Brown’s Artist Statement:

“Painting is my vessel of communication. Art becomes a social and personal dialectic for me aimed at resolving inner and public conflict while simultaneously celebrating humanity.

jungle

“Through irony, humor, bold and subtle imagery, I convey my vision to others. I place my characters in settings where the rooftops of society have been cut off and their idiosyncrasies become their vulnerabilities. By utilizing perspective, I place my characters into a realm that seems comfortable and inviting, but contains certain disjointed qualities. My characters explode out of their setting while remaining stoic, as though they are unaffected by their environment — a petty thief that steals the tip of a waitress left on the bar by a previous patron; the meat market patrons with their robust, crazed egos manipulating the masses with their decedent carnage.

developement-of-the-ego

“Some have suggested that my work has a masculine perspective, but I certainly do not represent or embody the masculine viewpoint. Ultimately, I paint individuals transfixed by their struggle, at times framing the daily lives of “Martyred Saints”, “Super humans” that have routines and transgressions just as anyone else. (The musician who forgets he is mortal for a brief second and the lightning bolt of god touches his forehead, knighting this saint a forbearer of humanity – the husband who goes into a strip bar for directions, and is coincidentally spotted by his wife.)

a-little-deeper-and-more

“I am intrigued by the situational moments that could be explained, but the individual finds himself trapped by the circumstances. Through observation and perspective I make an earnest attempt at painting the honesty of humanity.”

the-blind-leading-the-nake

 

“Chance of Showers” by Chris Haberman

“Chance of Showers” is a collection of Chris Haberman’s latest work on display at the Ford Gallery April 30 – May 28.

Saturday, April 30, opening night, join us in the Ford Gallery from 6-8 pm and then downstairs at our underground lair “Mechanical” (Suite B27) from 8 onward for Last Saturday Salon featuring a reading by Chris Haberman.

Chris Haberman is a working painter, writer, muralist, curator and musician, native to Portland, Oregon. Aside from painting, he has published poetry, journalism and fiction; being awarded the Tom Doulis Fiction award, the Wilma Morrison award for excellence in journalism from Portland State University and is a lifetime member to the Academy of American Poets.

All of Chris Haberman’s artwork is created recycled objects, found material from the streets and alleyways of his hometown. A discarded cabinet door or table top quickly becomes the backdrop for an integrated puzzle-poem of figures and text, focusing on subjects like people, politics, the region, pop-culture, media, music, film and literature.

Portland Mayor Sam Adams said in 2009 that “Chris is the hardest working artist in Portland.” Chris’ first curatorship was a show for Adams in City Hall of Portland, Oregon, (Portland Pride, 2007). He has also shown art in hundreds of venues, including “Oregon Art Annual” and is a frequent contributor to local artwalks, school fairs and open studio tours. In July 2012, Chris recorded selling over 10,000 original works since 2001; and he was a feature artist for Oregon Art Beat on Oregon Public Broadcasting and awarded “Portland Artist of the Year” for Barfly Magazine. In Jan, 2011, he and fellow artist Jennifer Mercede won a national artist contest in Las Vegas, competing with artists’ from 10 other cities.

Besides making art, Chris is also a teacher and a fervent freelance curator and arts advocate, coordinating hundreds of Portland art exhibits with regional artists since 2001, founding first a non-profit (Portland City Art, 2009) and then Chris Haberman Presents and The People’s Art of Portland in Pioneer Place Mall (with fellow artist/curator/buddy, Jason Brown, The Goodfoot) both in 2010, to help local artists show their works.

In 2011, he illustrated a book with Oregon television icon, K.C. Cowan detailing a humorous selection of Catholic Saints. In the same year he also completed a 219 wood panel album reproduction for an office mural for record label Kill Rock Stars, and a 100 piece show of about the History of Oregon for Portland State University. In 2012/2013 he completed a 140 foot mural about “The History of Hawthorne Blvd.” for 50th SE Hawthorne on the Eagles Fraternal Lodge funded by a grant from Regional Arts and Culture Council; and currently is the Art Consultant/Curator/Art Department Staff for TV show Portlandia (Seasons 3, 4 and 5). In 2014, he helped present the 15th annual Oregon Art Beat exhibition of 350 artists with Oregon Public Broadcasting, and appeared as a working artist on Ovation channel’s reality show, “One Man’s Trash.” Summer 2015 Chris completed a large-scale outdoor mural for the City of Milwaukie, OR, in partnership with TriMet for the new Orange Line Train line.

Contact:
Email: chrishabermanart@gmail.com
www.facebook.com/chris.haberman

Artcest

 

Ford Gallery presents Artcest, a collaborative group show with works by Ali Schlicting, Emily Bates, Christopher Creath, Jennifer Griffo, and Matt Schlosky. The show is curated by Ali Schlicting.

Opening celebration Saturday, March 26, 6-11 pm — 6-8 pm in the Gallery, 8-11 pm in Mechanical, suite B27

Show runs through April 23rd.

Christopher Creath

Ali Schlicting

Emily Bates

Matt Schlosky

Jennifer Griffo

 

Screw Art. Works by Sam Klein Feb 27-March 19

This month, Ford Gallery is proud to exhibit works by artist Sam Klein. Klein’s pointillist work draws from his uniquely-curated appreciation of pop culture. The “points” in each of these pieces are Phillips head screws of varying size and color. The works are magnificent when viewed in person. Klein’s other paintings viewable in the slideshow below, are not hung in the gallery but are on site and can be viewed by appointment. Stop by before March 19.

Ford Gallery 2505 SE 11th Ave. For sales, contact Ross Blanchard at 503-449-3305 or Ross@PDXMag.com

 

Saber Rom @ Ford Gallery Jan 16-Feb 19

 

Saber Rom unleashes new works at the Ford Gallery in January with an opening party at the gallery on January 16 at 6 pm that continues downstairs at PDX Magazine’s Mechanical venue in Suite B27 after 8 pm.

Yes, we’re off our last Saturday schedule again for art openings, but it’s Saber’s birthday, so what better reason to move up an opening. Come ready for a real celebration!

Saber’s latest work is a collection of paintings on oriented strand board (OSB) and many of the works feature wildlife. By depicting wildlife on this ubiquitous and inexpensive construction material, the artist asks the viewer to consider the delicate balance between the human need for shelter and nature’s need for suitable habitat.

From the artist:

“This current work is an attempt to explain, to poke fun, to shout out ‘order in the court!’ As our most asleep-at-the-wheel president left office on the eve of our next great depression, housing markets were imploding, banks teetered on collapse.

“Flash forward. We voted for Hope and then on was the next building/buying boom. In my neighborhood as well as yours, where one old rundown house once stood, four shot up in its place at six feet apart. These shotgun shack town homes promised ‘yours: new, dry, warm’. Enter Oriented Strand Board (OSB): lumber’s leavings pressed with glue and soaked in formaldehyde. This OSB board was something my eyes traced everyday across this same cityscape. We’ve cut down so many trees that we can’t build out of plywood anymore. I try to notice the evictions: the crows, squirrels, raccoons, hummingbirds must press on in search of that same dream we got sold: ‘your dry, warm home’.”

Show Dates: Jan 16 – Feb 19.

Ford Gallery | 2505 SE 11th Ave

For sales or more info, contact Ross Blanchard — Ross@PDXmag.com, 503-449-3305